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Case for Tokenized credit

📄️ Introduction

Web3 markets offer several comparative advantages over their Web2 counterparts they will have to contend with both human and AI generated copy-cats that eventually enter the market [Reference//www.plagiarismtoday.com/2023/06/28/yet-another-nft-plagiarism-scandal/]. This reality, coupled with the fact that art is traditionally illiquid, suggests that secondary market activity for Digital Art is unlikely to grow significantly. For Physical Goods, especially high-end fashion products, some brands are using the blockchain to prevent fraud from imitation. However, most handbag or shoe owners will not trade their items; so their secondary market activity will be limited. Projects would derive more long-term value from Web3 by tokenizing credits instead of products or works of art.

📄️ Service credit using ERC-3525

Web3 projects have not embraced credit issuance perhaps because of infrastructural and regulatory challenges. On infrastructure, until recently there has been a lack of flexible smart contract standards. What remains is user-friendly credit issuance and a flexible redemption process. Until 2017 many projects minted their own ERC-20 fungible tokens, which served as funding vehicles and, in many cases, credit issuance: one had to acquire a project’s tokens to access some service offerings. In late 2017 though, regulators curtailed that practice due to fraud associated with ICOs. Since then, Web3 projects have relied on ERC-721, the Non-fungible Token standard, and its successor, ERC-1155 to tokenize their offerings . While ERC-1155 can represent fungibility and non-fungibility alike, it does so by binding fungible value to wallet address rather than to token IDs. This type of binding makes ERC-1155 unsuitable for representing semi-fungible service credit.